But with a $19 million budget and stars Luke Wilson and Kate Beckinsale at the center, Nimród Antal’s grindhouse slasher never feels quite as horrifyingly austere as the concept implies. Vacancy’s gore quotient isn’t all that smaller than previous entries. Eden Lake is horror as nihilism, and it’s as terrifying in its backcountry slashing as Hooper’s own Chain Saw. But, Eden Lake adds a terrifying veneer to the proceedings. It’s a concept similarly explored in David Moreau and Xavier Palud French slasher Them. The entire conceit is predicated around violent, murderous teens. What follows is a brutal-absolutely brutal-game of cat-and-mouse as power shifts and bodies pile up. Once there, they run afoul of a group of delinquent teens whose delinquency is more than just vandalism or drinking they’re all but homicidal. Kelly Reilly and Michael Fassbender star as Jenny and Steve, a couple who decide to spend the weekend near a remote lake in the English countryside. James Watkins’ Eden Lake also has a wallop of an ending, though it packs considerably more efficacy than Aja’s High Tension. High Tension was France’s answer to Texas Chainsaw, and almost two decades later, it still holds up. While the ending sucks-despite having some admittedly curious queer sensibilities-what comes before is stark, brutal, and unrelentingly terrifying. Marie sneaks into his truck, hopeful she can stop the killer and free her friend. Their first night there, a serial killer breaks in, murders the family, and kidnaps Alexia. Cécile de France stars as Marie, a young woman traveling with friend Alexia (Maïwenn), to Alexia’s family’s rural home for the weekend. Similarly, it underwent considerable cuts to avoid an NC-17 rating, with several murder scenes truncated or removed from the screen entirely. Like Wolf Creek, Alexandre Aja’s imported slasher was fortunate enough to secure a wide release in the United States (with horrific dubbing, it should be noted). High Tension (2003) EuropaCorpĮnding aside, High Tension is one of the early aughts’ scariest movies. They are shot, stabbed, and chased all over, a condensed display of filmic carnage that never lets up. Wolf Creek follows three such tourists, and like Chain Saw, the movie is predicated on their suffering. John Jarratt stars as Mick Taylor, a serial killer living in the outback who murders any tourists unlucky enough to stumble across him. It makes sense, not because Wolf Creek is bad, but because, like Hooper’s Chain Saw, it’s a grim, hopeless, cinema verité style assault to the senses. But, opening weekend audiences gave the movie a rare F Cinemascore. Released Christmas Day in the United States, Wolf Creek was a modest box office success. Wolf Creek (2005) Roadshow Entertainmentĭirector Greg McLean’s Wolf Creek was controversial upon release, something both it and The Texas Chain Saw Massacre have in common. So, do your thing, cuz’ and check these out!ĥ. Luckily, I’ve assembled five movies to watch, especially for those who catch Netflix’s sequel and find themselves squirming for more. All of which is to say, if you’re looking to get revved up in anticipation for more Leatherface, his own franchise– other than the remake arguably– might not be the best place to find those thrills. While Texas Chainsaw Massacre: The Next Generation (the fourth entry) at least endeavors to acknowledge the two previous sequels, the franchise trajectory for the next five entries included a remake, a prequel to that remake, a direct sequel to the first, a prequel to the first, and another direct sequelto the first. But those movies at least exist in a temporal, cinematic realm where their existence makes sense The Texas Chain Saw Massacre doesn’t. It’s not to say that Michael Myers or Jason Voorhees were innately franchise-worthy, either. While original director Tobe Hooper himself directed a sequel of his own to augment the first’s black comedy-an element he felt viewers ignored the first time around-subsequent entries strained to find any considerable reason to exist. The Texas Chain Saw Massacre isn’t really a movie that called out for a franchise.
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